Standing mirror from Florence

Captivating design

combined with the highest quality raw materials and craftsmanship, embody the synonym

of the Florence Art brand.

Tradition

Among the streets of Florence, you can breathe art, from S. Croce to Ponte Vecchio, and then again among sculptures

and paintings and furnishings of the Medici villas, an exceptional city, a territory where artists and

craftsmen have found their life force for centuries. The Florence Art brand was born in 1950

from this tradition, the manual skills of Tuscan artisans, love for art and beauty, and a passion for

classics and what made this territory great. It was founded as a sculpture manufactory and has always been a production brand that explores new products, designs them, creates samples, sculpting them

entirely by hand, pantographing them, and preparing them for decoration. All production is carried out entirely in

Florentine style; each element is designed by one of our designers, making it

unique.

Design

Florence Art, with its in-house designers, sculptors, and carpenters, can produce any

type of work, even outside the Florentine style, as evidenced by some pieces made for luxury hotels.

On every Florence Art item, modifications and adjustments can be made, as well as

custom work by carpenters, all done entirely by hand. This way, the brand can furnish a bedroom, living room, bathroom, or boudoir, according to your design.

Style

The Florentine style is characterized by the way sculptures, finishes, and product designs are executed, and these features are unique to a very small area, such as Florence. Every item made in the Florentine style has carved parts, but with a current, fresh, elegant taste; each part is well “notched,” meaning well-defined, harmonizing with a classic yet very youthful style. The lines of the items are both elegant and romantic. Silver, colored, and gold finishes make each line even more elegant and youthful.

Pattern and Sculpture

Sculpture results from the increasingly challenging Florentine heritage, distinguished by grace and harmony, and serves to highlight and identify the entire production line. As is the case in Florence, it cannot be confused with other geographical areas. Professional figures with great skills, design ability, and stylistic knowledge are required, such as a “sculptor,” who must create “models” of each item and then sculpt them.

A model is the part used to reproduce the sculpture with a pantograph, and to produce it first, an artwork must be drawn to scale, then fully hand-sculpted in wood. It is cut into pieces because the pantograph works on segments no wider than about 20 cm and about 190 cm long. To work with the pantograph, a “Pantograph” is needed to replicate the model in 16 or 24 pieces, followed by highly specialized carpenters who must know how to assemble the carved elements. Only these three professionals ensure that the production is more skilled and valuable.

Decoration

Decoration, always entirely handmade, becomes an even more skilled element in various finishes; those made in Florence are unmatched by any other region:

“Gouache” decoration used throughout art history, from the Renaissance, which originated in Florence, to all other stylistic periods, applies to both gold leaf (e.g., Zecchino and Antique Patina) and genuine silver leaf. Finishes such as Ghiaccio, Bianco, Consumato, Strappato, which could then be treated with Meccata (covered with a special, ancient color, still used, called Mekka, in finishes like Mekka and MeccaAntica), are designed to mimic gold when, in the past, there was no money to purchase real gold.