Original Italian mirror

Fascinating design

combined with the highest quality materials and craftsmanship, embody the synonym

of the Florence Art brand.

Tradition

In the streets of Florence, you can breathe art, from S. Croce to Ponte Vecchio, and again among sculptures

and paintings and furnishings of the Medici villas, a unique city, a territory where artists and

craftsmen have found their life force for centuries. The Florence Art brand was born in 1950

from this tradition, the manual skills of Tuscan artisans, love for art and beauty, and passion for

classics and what made this territory great. It was established as a sculptural manufactory and has always been a manufacturing brand that explores new products, designs them, creates samples, and sculpts them

completely by hand, pantographs them, and prepares them for decoration. All production is carried out entirely in

Florentine style; each element is designed by one of our designers, making it

unique.

Design

Florence Art, with its internal designers, sculptors, and carpenters, can execute any

type of work, even outside the Florentine style, as evidenced by some projects made for luxury hotels.

On every Florence Art item, modifications and adjustments can be made, including

custom work by carpenters entirely by hand. This way, the brand can furnish a bedroom, living room, bathroom, or boudoir, according to your design.

Style

The Florentine style is characterized by the way sculptures, finishes, and product designs are executed, and these features are unique to a very small area, such as Florence. Each item made in the Florentine style has carved parts, but with a current, fresh, and elegant taste; every part is well “notched,” meaning well-defined, harmonizing with a classic yet very youthful style. The lines of the items are both elegant and romantic. Silver, colored, and gold finishes make each line even more elegant and youthful.

Pattern and sculpture

Sculpture is the result of an increasingly challenging Florentine tradition, distinguished by grace, harmony, and serving as a highlight and identifier of the entire production line. As is the case in Florence, it cannot be confused with other geographical areas. Skilled professionals with strong design abilities and stylistic knowledge are required, such as a “sculptor” who must create “models” of each item and then sculpt them.

A model is the part used to reproduce the sculpture with a pantograph, which must first be drawn to scale, then entirely hand-carved in wood. It is cut into pieces because the pantograph works on segments no wider than about 20 cm and about 190 cm long. For pantograph work, a “pantograph” is needed to replicate the model in 16 or 24 pieces, then “carpenters,” highly specialized, because they must know how to assemble the carved elements. Only these three professionals ensure that the production is more skilled and valuable.

Decoration

Decoration, always entirely handmade, becomes an even more skilled element in various finishes; those made in Florence are incomparable to those from any other region:

“Gouache” decoration used throughout art history, from the Renaissance, which originated in Florence, and in all other stylistic periods, applies to both gold leaf (e.g., Zecchino and Antique Patina) and real silver leaf. Finishes like Ghiaccio, Bianco, Consumato, Strappato, which could then be covered with Meccata (a special ancient color still used today, called Mekka, in finishes like Mekka and MeccaAntica), to resemble gold when in the past there was no money to buy real gold.