French chocolate box, early 19th century

French confectionery box from the early 19th century, decorated on the lid with a scene depicting a young couple shown in a rural setting, in a flat landscape, beside a cross and small shrubs. The scene is surrounded by a white, round border with minimal discoloration in an ivory shade. The box is entirely made of cardboard, with two brass rings at the ends and printed, gold paper ribbons on the edges. The decoration is created using the « fixé sous verre » technique, meaning it is an watercolor print preserved under glass. France, early 19th century.

These are valuable packaging for sugared almonds, chocolates, or other confectionery products, sold as gifts or for special occasions. A characteristic feature of these packages is their glass-covered decoration, reflecting the changing styles and tastes of the era. Their popularity grew alongside the rise and desire to mark presence in the confectionery markets, which were rapidly developing at the time. Interestingly, in confectionery production, there has always been a consistent focus on what we today call packaging, prioritizing the value of the packaging itself even before its contents. This is why decorations, gilding, twisted silk ribbons, and printed milk patterns resembling jewelry were used. Here are some national names that reflect the essence of this phenomenon: in Turin, the kingdom of chocolate, Caffarel Prochet was born in 1826, and Leone in 1878. In 1888, the Lazzaroni & Figli company was established in Saronno. In 1900, the SAIWA (Società Accomandita Industria Wafer Affini) was founded in Genoa, which helped spread the confectionery industry across Italy and Europe.

Confectionery products were sold wholesale, but soon exclusive items were created for events and celebrations; among these are Boite à Dragées (fancy boxes for confetti), which we present in this collection, featuring fixed decorations like sous verre scenes depicting romantic or rural themes. Made of cardboard, they have a border decorated with printed and gilded paper ribbons with Greek or leafy motifs; the interior can be divided into compartments. All of these were produced in France between the late 18th century and the early decades of the 19th century.

Beautiful antique furniture and accessories can be an excellent idea for decorating our interiors. Today, there is a growing number of enthusiasts for high-quality vintage items that possess a specific character and soul. This is a nod to history, craftsmanship, and the creation of traditional and timeless furniture. There are many different styles in antique furniture, each with its distinctive features.

Many styles characterize antique furniture, but a few are particularly notable. Eclectic furniture refers to the 19th century, especially the Biedermeier style. Its early variations include neo-Gothic, Gothic, Rococo, Louis Philippe style, and finally the English Victorian style. Toward the end of the century, these styles evolved into pseudo-classicism, Renaissance, and Baroque styles.

Stunning Empire-style furniture dates from the period between the late 18th and early 19th centuries. It originated during Napoleon’s reign, characterized by significant similarities and references to Roman and Greek ornamentation.

Neoclassical furniture, associated with Louis XVI, also strongly references ancient architecture. Noteworthy are antique products in Rococo and Louis XV styles. The next is Baroque, a term derived from the Portuguese « barocco »—meaning an irregularly developed pearl. These were highly decorative pieces designed to radiate splendor and play a significant role in luxury. They used exclusive materials selectively to emphasize the grandeur of these items.

Today, we can observe how much the Baroque style has influenced modern classic furniture, which is designed with a strong resemblance to the former era. An equally significant style is Renaissance, which flourished in the 15th and 16th centuries and also left a profound mark on the art of furniture making. Renaissance style was quite heavy and bulky. It featured brown stains, cornices, sturdy plinths, and bas-reliefs. It can certainly be said that these were quite distinctive products, but they also offered many new possibilities, such as the construction of buffets or broadly speaking, chest furniture. Here, too, there was an interest in mythology and ancient times, so supports and legs often took animal forms.

Lion paws, eagle heads – these are common features in Renaissance style. Currently, many global brands reproduce furniture made in this style, taking inspiration from Italian and French creators. This reflects admiration and respect for the history of the most beautiful Renaissance antiques. It is important to remember that each country perceived furniture production differently, so each style had its own unique character. This is especially important when searching for a luxurious antique that suits your interior.

The most important aspect of vintage antique furniture is originality. And this is ultimately crucial from the customer's perspective, as many counterfeits circulate on the market. Luxury Products brand provides a certificate confirming the product’s compliance with the actual description and photos. We have art appraisers, historians, and experts from around the world at your disposal.