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picture 1 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 2 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 3 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 4 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 5 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 6 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 1 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 2 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 3 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 4 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 5 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple
picture 6 A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple

A dragee box, early 19th century, with a decoration on the lid depicting an elegantly dressed couple

Luxury antiques

€366.00

SKU: ANT-A1050n

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Description

Box for dragees, early 19th century, decorated on the lid depicting an elegantly dressed couple standing in a garden with a balustrade on the left and stairs on the right, against a backdrop of architecture. The scene is framed by an ivory-colored border with minimal paint loss, connected to the scene by a gold edging. The box is entirely made of cardboard, with two brass rings at the ends and printed, gold cardboard ribbons on the edges. The decoration is created using the « fixé sous verre » method, meaning it is an aquarelle print preserved under glass. France, early 19th century.

These are valuable packaging for sugar-coated almonds, sold as gifts or for special occasions. A characteristic feature of these packages is their glass-encased decoration, reflecting the changing styles and tastes of the era. Their popularity coincided with the growth and desire to establish a presence in confectionery markets, which were rapidly developing at the time. Interestingly, in confectionery production, great attention was always paid to what we now commonly call packaging, focusing primarily on its value even before its contents. This is why decorations, gilding, twisted silk ribbons, and printed milk imitations of jewelry were used. Here are some national names that capture the essence of this phenomenon: in Turin, the kingdom of chocolate, Caffarel Prochet was born in 1826, and Leone in 1878. In 1888, the Lazzaroni & Figli company was founded in Saronno. In 1900, the SAIWA (Società Accomandita Industria Wafers Affini) was established in Genoa, helping the confectionery industry to expand throughout Italy and Europe.

Confectionery products were sold wholesale, but soon exclusive items were created for events and celebrations; among these are Boite à Dragées (confetti boxes), which we present in this collection, featuring fixed decorations of sous verre scenes depicting romantic or rural themes. Made of cardboard, they have a decorated edge with printed and gilded paper ribbons with Greek or leafy motifs; the interior can be divided into compartments. All were produced in France between the late 18th century and the early decades of the 19th century.

Original Empire-style furniture dates from the late 18th to early 19th century. It originated during Napoleon’s reign, which imposed a style heavily inspired by Roman and Greek ornamentation.

Neoclassical furniture is associated with the Louis XVI style, which also draws heavily from ancient architecture. Interesting and noteworthy are all antique-style products in Rococo and Louis XV styles. Next is Baroque, a term derived from the Portuguese « barocco » — meaning an irregularly developed pearl. These were highly decorative pieces meant to radiate splendor and play a significant role in luxury. Unique, selectively used materials were employed to further emphasize the grandeur of these works.

Today, we can observe how much the Baroque style influenced modern classical furniture, which is designed with a strong resemblance to the past era. An important style is also Renaissance, which flourished in the 15th and 16th centuries and left a significant mark on furniture design. Renaissance furniture was quite heavy and massive, using brown stains, moldings, sturdy bases, and bas-reliefs. These products were quite distinctive but also opened new possibilities, such as the construction of credenzas and broadly conceived chest furniture. They also reflected an interest in mythology and antiquity, with supports and legs often taking animal forms.

Lion paws, eagle heads — these are common motifs in Renaissance style. Currently, many global brands reproduce furniture inspired by Italian and French creators, demonstrating admiration and respect for the history of the most beautiful Renaissance antiques. It is important to remember that each country perceived furniture manufacturing differently, so each style had its unique character. This is especially important when searching for a luxurious antique suitable for your interior.

The most important aspect of stylish antique furniture is originality. And this is ultimately crucial from the customer's perspective, as many counterfeits circulate on the market. Luxury Products provides a certificate confirming that the product matches the actual description and photo. We have art appraisers, historians, and experts from around the world at your disposal.

Attributes / Details

SKU ANT-A1050n
Manufacturer Antyki
Model A1050n
Material cardboard, brass, watercolors
Size Height: 2.6 cm Diameter: 13.8 cm
Age 19th century
Year 1800
Destiny To kitchen

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