The book Masterpieces of the Prado Contains works from one of the most important museums in the world - Thames & Hudson

The Museo Nacional del Prado, Spain's national museum of art, houses one of the world's finest collections of European art and is undoubtedly the best single collection of Spanish art. This luxurious volume is the definitive reference to the Museo del Prado and the first of its kind published by the museum itself. It presents the world-renowned collection in chronological order, from Roman sculptures to the 19th century, using the tastes of the Spanish royal family to tell the story of the evolution of Western art. It features the most groundbreaking works in the Prado, including Velázquez's Las Meninas, El Greco's Gentleman with Hand on Chest, and Goya's Third of May 1808, as well as some of the museum's latest acquisitions. There are also beautiful fold-out reproductions of three Hieronymus Bosch triptychs: The Garden of Earthly Delights, The Haywain, and The Adoration of the Magi, allowing close inspection of their inner and outer panels.

The book creates a fascinating dialogue between the greatest artists and their works, showing how painters have always reflected the influences of their predecessors and contemporaries. It is an essential resource for anyone passionate about art history, a richly illustrated record of one of the world's greatest collections of European art.

The Thames & Hudson brand was founded in 1949 by Walter and Eva Neurath. Their greatest passion and mission was to create a “museum without walls” and to make the world of art accessible to a broad audience, as well as to leading scholars. To reflect international perspectives, the company's name combines the rivers flowing through London and New York, represented in its logo by two dolphins symbolizing friendship and intelligence, one facing east and the other west, suggesting a connection between the Old World and the New.

Today, still an independent, family-owned company, Thames & Hudson is one of the leading publishers of illustrated books worldwide, with over 2,000 titles in print. It publishes high-quality books across all areas of visual creativity: fine arts, applied arts, decorative arts, performing arts, architecture, design, photography, fashion, film, and music, as well as archaeology, history, and popular culture. The company is also expanding its list of children's books. Headquartered in London with a sister company in New York and branches in Melbourne, Singapore, and Hong Kong. In Paris, another subsidiary, Interart, distributes English-language books in France.

History of Thames & Hudson

Walter Neurath was born in Vienna in 1903. In 1938, he left his hometown—where he ran an art gallery and published illustrated books—for London. Initially, he worked as production director at Adprint, a company founded by Viennese émigré Wolfgang Foges. Neurath and Foges developed a pioneering concept now known as book packaging (or co-publishing), where book ideas are developed, commissioned, produced, and sold to publishers operating in different markets and languages to create large editions and reduce unit production costs. Neurath’s concept was the first of many innovations that Thames & Hudson introduced to the publishing world.

Desiring to continue book packaging in its second edition and recognizing the need to amortize the high costs of producing illustrated books, Neurath founded his own publishing company, with offices in London and New York, in the autumn of 1949. Eva Neurath, who arrived in London from Berlin in 1939, was a co-founder.

Of the ten titles published on the first list by Thames & Hudson in 1950, *English Cathedrals*, with photographs by Martin Hürlimann, was the first and most successful. The company's strong conviction from the very beginning regarding the longevity of books was reflected in its continued print run until 1971. In the first year of publication, Albert Einstein's *Out of My Later Years* also appeared, an early indicator of the program's breadth. As the list gradually expanded—from ten titles in 1950 to 144 in 1955—the company moved its offices to High Holborn and in 1956 relocated to a Georgian townhouse at 30 Bloomsbury Street, near Bedford Square, becoming the epicenter of book publishing in London. The manufacturing remained at this address, eventually expanding to five houses by 1999, when it returned to High Holborn.

In 1958, Thames & Hudson launched one of its most renowned series, *World of Art*, which became the foundation for a highly diverse list. Characterized by pocket-sized editions with black spines, the series expanded in just seven years to include 49 titles. Nearly 60 years later, the series boasts over 300 titles, which, according to Christopher Frayling, are “‘stained with paint’ copies in every art school in the country.”

Other significant series that added depth and prestige to the list include *Ancient People and Places*, edited by Glyn Daniel, who from the 1950s contributed to pioneering interest in archaeology, both in book form and television. Over 34 titles were published in this series over 34 years. The large-format *Great Civilizations* series, published in 1961, featured contributions from esteemed scholars such as Alan Bullock, Asa Briggs, Hugh Trevor-Roper, A. J. P. Taylor, and John Julius Norwich.
After establishing one of the most important publishing houses in Europe in less than two decades, Walter Neurath died in 1967 at the age of 63. Sculptor Henry Moore wrote that “his death was a loss to our cultural life.” Sir Herbert Read noted that Neurath “more than anyone else was responsible for the revolution in art publishing” and was “one of those rare entrepreneurs who successfully combine business acumen with idealism.” Eva Neurath became chairwoman. Walter’s son, Thomas, who joined the company in 1961 with his sister Constance, became managing director; Constance later served as artistic director for several decades. Both Thomas and Constance remain on the Thames & Hudson board, as do Thomas’s daughters, Johanna and Susanna.

From producing the first commercial edition of *The Book of Kells* to the triumphant publication of the six-volume *Vincent van Gogh - Letters*, from innovations like “French folds” to the controversial documentation of graffiti art in *Subway Art*, Thames & Hudson has always been at the forefront, both culturally and in production techniques.

The year 2016 marked an extraordinary new chapter for the company, announcing publishing partnerships with two of the world’s most important museums: the British Museum and the Victoria and Albert Museum.

The world of art and scholarship remains at the heart of Thames & Hudson’s publishing program, which remains true to its core principle: providing a “museum without walls.”
Today, Thames & Hudson is a recognizable international brand, a symbol of British publishing. Its extensive catalog includes thousands of original titles, many of which are exclusive collector’s editions.

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