Renaissance glass coffee table

Original design combined with the highest quality materials and craftsmanship create a synonym

for Florence Art manufactory.

Tradition

Among the streets of Florence, you can breathe art, from S. Croce to Ponte Vecchio, and then again among sculptures, paintings, and furnishings of the Medici villas—an exceptional city, a territory where artists and artisans have found their life force for centuries. Florence Art was born in 1950 from this tradition, the manual skills of Tuscan craftsmen, a love for art and beauty, a passion for classics and what made this territory great. It was established as a sculptural manufactory and has always been a production brand that researches new products, designs them, creates samples, and sculpts them entirely by hand, pantographs them, and prepares them for decoration. All production is carried out entirely in Florentine style; each element is designed by one of our designers and is unique.

Design

Florence Art, with its in-house designers, sculptors, and carpenters, can execute any type of work, even outside the Florentine style, as evidenced by some projects made for luxury hotels. On every Florence Art item, modifications and adjustments can be made, as well as work for modifications by carpenters, all done entirely by hand. This way, the brand can furnish a bedroom, living room, bathroom, boudoir, according to your design.

Style

The Florentine style is characterized by the way sculptures, finishes, and product designs are executed, and these features are unique to a very small area—Florence. Every item made in the Florentine style has carved parts, but with a current, fresh, elegant taste; each part is well “toothed,” meaning well-defined, harmonizing with a classic yet very youthful style. The lines of the objects are simultaneously elegant and romantic. Silver, colored, and gold finishes make each line even more elegant and youthful.

Pattern and Sculpture

Sculpture is the result of an increasingly difficult-to-preserve Florentine tradition, distinguished by grace and harmony, and is a key element in highlighting and identifying the entire production line. As is the case in Florence, it cannot be confused with other geographical areas. Skilled professionals with great design abilities and stylistic knowledge are needed, such as a “sculptor,” who must create “models” of each item and then sculpt them.

A model is the part used to reproduce the sculpture with a pantograph; to create it first, an artwork drawing at scale is required, then it is entirely hand-sculpted in wood. It is cut into pieces because the pantograph works on segments no wider than about 20 cm and about 190 cm long. Working with the pantograph requires a “Pantograph” device that copies the model into 16 or 24 pieces, followed by “carpenters,” who are highly specialized because they need to know how to assemble the carved elements. Only these three professionals ensure a more skilled and valuable production.

Decoration

Decoration, always entirely handmade, becomes an even more skilled element in various finishes; those made in Florence are incomparable to those from any other geographical area:

“Gouache” decoration, used throughout art history from the Renaissance, which originated in Florence, and in all other stylistic periods, applies to both gold leaf (e.g., Zecchino and Antique Patina) and real silver leaf finishes (Ghiaccio, Bianco, Consumato, Strappato), which could later be covered with Meccata (a special ancient color, still used today, called Mecca, in finishes like Mekka and MeccaAntica), to resemble gold when there was no money to buy real gold in the past.