Original Italian ceramic vase

This vase reinterprets the classic black-and-white pattern, playing with the texture of the glaze and the geometric decoration pattern, which can be read both in negative and positive, characteristic of this type of design.
White glaze stands out against the black background, making this decoration unique. Its delicate ribollita texture was achieved through a single firing at high temperature directly on an unglazed base.

FROM ALVINO BAGNINI TO NUOVE FORME

Nuove Forme was established in 1993, inheriting the ceramic brand's legacy

Alvino Bagni.

Nuove Forme is currently managed by Gianfranco Ghiretti and Alvino Bagni's granddaughter, Maria Chiara Ghiretti, along with several long-standing and important collaborators.

ALVINO BAGNI

A journey full of passion, technique, and creativity

Alvino Bagni was born in the village of Lastra a Signa in 1919 and was interested in ceramics from a young age. Thanks to the teachings of artist Torello Santini, he began working in the workshop of the Arnaldo Pugi ceramic factory in Ponte a Signa. After the war, Pugi himself provided funding, enabling him to open his first workshop.
Original history of Ceramiche Bagni begins with 3,500 plates inscribed with “I like Ike,” created for Dwight D. Eisenhower’s campaign, who became the 34th President of the United States in 1953.

Alvino involved many family members in his work, primarily his wife Gina, who accompanied him throughout his professional life.

The 1950s and 1960s were pivotal for the Bagni company, which strengthened collaborations with leading figures in American design and business, such as Raymor (New York) and Rosenthal, for whom he created highly modern objects for that time.

The relocation of the company to a larger, more modern factory gave it new momentum. Alvino surrounded himself with exceptionally talented collaborators and artists, such as E. Borgini, M. Mannori, R. Buti, M. Santonocito, and many others, with whom he achieved an ideal balance between material, technique, functionality, tradition, and aesthetic beauty.

By 1980, the factory employed over 100 people and became synonymous with high-quality artistic production, renowned for intricately crafted, beautiful objects made using new, experimental techniques.

Unfortunately, globalization brought challenges, and the brand, still attached to a “craftsman’s” way of working, was unable to cope with excessive cost reductions.

Despite efforts to save the workforce, his factory was ultimately closed in 1990.

It was only in 1993 that he returned to the forefront, founding Nuove Forme, from which he retired after eight years due to health reasons.

Alvino passed away in 2009 at the age of 90. His career was an incredibly fulfilling journey marked by humility, technique, passion, and creativity.