George Condo Book Painting Reconfigured - Thames & Hudson

With his captivating, unsettling style, George Condo emerged from the dynamism of the New York art scene in the early 1980s and has been creating restless paintings, drawings, and sculptures ever since—shaping the world in one way or another from that point on. Condo's originality lies in his transformation of references and inspirations, both in terms of style and content, which encompass the Western art canon; from classical Greek sculpture to the unrestricted and free exchange of painting languages, from Rembrandt and Velázquez to Picasso and Warhol, as well as a unique vision of literary and popular culture. Through "faux" Old Masters, reconfigured Manets, incredibly complex images that appear abstract only from afar, broken and multi-dimensional "psychologically Cubist" portraits, and orgiastic transgressions by many dealers, bankers, and priests, conceived by Condo, who mastered and expanded not just one painting language but an entire lexicon.

Simon Baker, working closely with Condo, combined biographical, chronological, and thematic approaches to explore the artist's work and career to date. After an introductory essay on the contradictory nature of Condo and a chapter exploring his phenomenal early career, there are three thematic chapters covering the years from 1984 to the present, tracing Condo's systematic reconstruction of painting techniques, examining his relationship with the concept of abstraction, and investigating the darker side of his psychological iconography in drawing, painting, sculpture, and writing. George Condo is the definitive monograph on this exceptional artist, appealing to artists, art students, and art enthusiasts alike.

Thames & Hudson was founded in 1949 by Walter and Eva Neurath. Their greatest passion and mission was to create a "museum without walls" and to make the world of art and leading scientific research accessible to a broad audience. To reflect international perspectives, the company's name combined the rivers flowing through London and New York, represented in its logo by two dolphins symbolizing friendship and intelligence, one facing east and the other west, suggesting a connection between the Old World and the New.

Today, still an independent family-owned publisher, Thames & Hudson is one of the world's leading publishers of illustrated books, with over 2,000 titles printed. It publishes high-quality collectible books across all areas of visual creativity: fine arts, applied arts, decorative arts, performing arts, architecture, design, photography, fashion, film, and music, as well as archaeology, history, and popular culture. The company is also expanding its list of children's books. Headquartered in London with a sister company in New York and branches in Melbourne, Singapore, and Hong Kong. In Paris, another subsidiary, Interart, distributes English-language books in France.

History of the Thames & Hudson brand

Walter Neurath was born in Vienna in 1903. In 1938, he left his hometown—where he ran an art gallery and published illustrated books—for London. Initially, he worked as a production director at Adprint, a brand founded by Viennese émigré Wolfgang Foges. Neurath and Foges developed an innovative concept now known as book packaging (or co-publishing), where book ideas are developed, commissioned, produced, and sold by publishers operating across different markets and languages to create large editions and reduce unit production costs. Neurath's concept was the first of many innovations introduced into the publishing world by Thames & Hudson.

Seeking to continue the packaging of collectible books in a second edition and recognizing the need to amortize the high costs of producing illustrated books, Neurath established his own publishing company with offices in London and New York in the fall of 1949. Eva Neurath, who arrived in London from Berlin in 1939, was a co-founder.

Of the ten titles published on the first list by Thames & Hudson in 1950, *English Cathedrals*, with photographs by Martin Hürlimann, were the first and most successful. A testament to the brand’s strong conviction from the very beginning regarding the longevity of books, it remained in print until 1971. In the first year of publication, Albert Einstein’s *Out of My Later Years* also appeared, an early indicator of the program’s breadth. As the list gradually expanded—growing from ten titles in 1950 to 144 in 1955—the company moved its offices to High Holborn, and in 1956, it relocated to a Georgian townhouse at 30 Bloomsbury Street, near Bedford Square, becoming the epicenter of book publishing in London. The manufacturing remained at this address, eventually expanding to five houses by 1999, when it returned to High Holborn.

In 1958, Thames & Hudson launched one of its most renowned series, *World of Art*, which became the foundation of a highly diverse list. Characterized by pocket-sized editions and black spines, the series expanded in just seven years to include 49 titles. Nearly 60 years later, the series boasts over 300 titles, which, according to Christopher Frayling, are “stained with paint copies” in every art school across the country.

Other significant series that added depth and prestige to the list include *Ancient People and Places*, edited by Glyn Daniel, who from the 1950s contributed to pioneering interest in archaeology, both in book form and on television. Over 34 titles have been published in this series over 34 years. The large-format *Great Civilizations* series, published in 1961, featured contributions from esteemed scholars such as Alan Bullock, Asa Briggs, Hugh Trevor-Roper, A. J. P. Taylor, and John Julius Norwich.
After building one of the most important publishing houses in Europe in less than two decades, Walter Neurath died in 1967 at the age of 63. Sculptor Henry Moore wrote that “his death was a loss to our cultural life.” Sir Herbert Read noted that Neurath “more than anyone else was responsible for the revolution in art book publishing,” and he was “one of those rare entrepreneurs who successfully combine business acumen with idealism.” Eva Neurath served as chairwoman. Walter’s son, Thomas, who joined the company in 1961 along with his sister Constance, became managing director; Constance later served as art director for several decades. Both Thomas and Constance remain on the Thames & Hudson board, as do Thomas’s daughters, Johanna and Susanna.
From producing the first commercial edition of *The Book of Kells* to the triumphant publication of the six-volume *Vincent van Gogh — Letters*, from technical innovations like “French folds” to the controversial documentation of graffiti art in *Subway Art*, Thames & Hudson has always been at the forefront, both culturally and in terms of production techniques.

The year 2016 marked an extraordinary new chapter for the company, announcing publishing partnerships with two of the world’s most important museums: the British Museum and the Victoria and Albert Museum.

The world of art and scholarship remains at the heart of Thames & Hudson’s publishing program, which stays true to its core principle: providing a “museum without walls.”
Today, Thames & Hudson is a recognizable international brand, a symbol of British publishing. Its catalog includes thousands of incredible titles, many of which are luxurious collector’s editions.

Manufacturer information