Book The Wall: Andy Goldsworthy - Thames and Hudson

In 1989, Andy Goldsworthy built his wall, which took a walk into the Grizedale Forest in Cumbria, drawing from the region's traditional walls. Now, supported by a team of wallers from Scotland and northern England, he created a successor at Storm King Art Center, a sculpture park in New York State—another agricultural landscape rich in stone walls. Goldsworthy's wall extends from an old, ruined wall he found there. First following the original foundations closely, his wall then describes a series of increasingly sensuous arabesques before plunging into the lake. Rising again on the other side, it heads straight for the grassy slope to stop the dead when it reaches the main highway. With the changing seasons, the wall also transforms. Heavily shaded in summer, subdued amidst a sea of yellow and brown leaves in autumn, it becomes almost calligraphic in winter, winding through bare trees and snow on the forest edge.

This sculpture continues the dialogue between wood and stone that Goldsworthy has explored for several years. The original wall at Storm King was built after clearing the forest, but he discovered its course along the line of trees that grew around and over it. Goldsworthy sketches a new wall with his own, this time sympathizing with the trees, yet knowing that one day it may be destroyed by them.

The Thames & Hudson publishing house was founded in 1949 by Walter and Eva Neurath. Their greatest passion and mission was to create a “museum without walls” and to make the world of art, as well as cutting-edge scientific research, accessible to a broad audience. To reflect international perspectives, the company's name combined the rivers flowing through London and New York, represented in its logo by two dolphins symbolizing friendship and intelligence, one facing east, the other west, suggesting a connection between the Old World and the New.

Today, still an independent, family-owned company, Thames & Hudson is one of the world's leading publishers of illustrated books with over 2,000 titles printed. It publishes high-quality books across all areas of visual creativity: arts (fine arts, applied, decorative, performing), architecture, design, photography, fashion, film, and music, as well as archaeology, history, and popular culture. It is also expanding its list of children's books. Headquartered in London with a sister company in New York and branches in Melbourne, Singapore, and Hong Kong. In Paris, another subsidiary, Interart, distributes English-language books in France.

History of Thames & Hudson

Walter Neurath was born in Vienna in 1903. In 1938, he left his hometown—where he ran an art gallery and published illustrated books—for London. Initially, he worked as a production director at Adprint, a company founded by Viennese émigré Wolfgang Foges. Neurath and Foges developed a pioneering concept now known as book packaging (or co-publishing), where book ideas are developed, commissioned, produced, and sold to publishers operating in different markets and languages to create large editions and reduce unit production costs. Neurath's concept was the first of many innovations introduced by Thames & Hudson into the publishing world.

Seeking to continue book packaging in a second edition and recognizing the need to amortize the high costs of producing illustrated books, Neurath established his own publishing house, with offices in London and New York, in autumn 1949. Eva Neurath, who arrived in London from Berlin in 1939, was a co-founder.

Of the ten titles published on the initial list by Thames & Hudson in 1950, *English Cathedrals*, with photographs by Martin Hürlimann, were the first and achieved the greatest success. The company's strong conviction from the very beginning regarding the longevity of their books was evident, as the title remained in print until 1971. In the first year of publication, Albert Einstein's *Out of My Later Years* also appeared, indicating the broad scope of the program early on. As the list gradually expanded—from ten titles in 1950 to 144 in 1955—the company moved its offices to High Holborn and in 1956 relocated to a Georgian townhouse at 30 Bloomsbury Street, near Bedford Square, becoming the epicenter of book publishing in London. The manufacturing remained at this address, eventually expanding to five houses by 1999, when it returned to High Holborn.

In 1958, Thames & Hudson launched one of their most renowned series, *World of Art*, which became the foundation of a highly diverse list. Characterized by its pocket size and black spines, the series expanded in just seven years to include 49 titles. Nearly 60 years later, the series boasts over 300 titles, which, according to Christopher Frayling, are “stained with paint copies” in every art school across the country.

Other significant series that added depth and prestige to the list include *Ancient People and Places*, edited by Glyn Daniel, who from the 1950s contributed to pioneering interest in archaeology, both in book form and on television. Over 34 titles were published in this series over 34 years. The large-format *Great Civilizations* series, published in 1961, featured contributions from esteemed scholars such as Alan Bullock, Asa Briggs, Hugh Trevor-Roper, A. J. P. Taylor, and John Julius Norwich.
After establishing one of the most important publishing houses in Europe in less than two decades, Walter Neurath died in 1967 at the age of 63. Sculptor Henry Moore remarked that “his death was a loss to our cultural life.” Sir Herbert Read noted that Neurath “more than anyone else was responsible for the revolution in art publishing” and was “one of those rare entrepreneurs who successfully combine business acumen with idealism.” Eva Neurath became chairwoman. Walter’s son, Thomas, who joined the company in 1961 with his sister Constance, became managing director; Constance later served as artistic director for several decades. Both Thomas and Constance remain on the Thames & Hudson board, as do Thomas’s daughters, Johanna and Susanna.

From producing the first commercial edition of *The Book of Kells* to the triumphant publication of the six-volume *Vincent van Gogh - Letters*, from technical innovations like “French folds” to the controversial documentation of graffiti art in *Subway Art*, Thames & Hudson has always been at the forefront, both culturally and in terms of production techniques.

The year 2016 marked an extraordinary new chapter for the company, announcing publishing partnerships with two of the world’s most important museums: the British Museum and the Victoria and Albert Museum.

The world of art and scholarship remains at the heart of Thames & Hudson’s publishing program, which remains true to its core principle: providing a “museum without walls.”
Today, Thames & Hudson is a recognized international brand, a symbol of British publishing. Their extensive catalog includes thousands of engaging titles, many of which are collectible editions.

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