Book Disturbing Landscape Places and Ideas in 20th Century British Painting - Thames and Hudson

Christopher Neve's classic book is a journey into imagination through the English landscape. How artists, thinking in paint, began to perceive the landscape as representing states of mind? “Painting,” says Neve, “is a process of discovery, and the landscape can be its thesis.” What he writes is not exactly art history: it concerns photographs, landscapes, and thoughts. Over the years, he has been able to converse with many of the approximately thirty artists he focused on; inspiration for the book came from his conversation with Ben Nicholson; and he immersed himself in their work, their villages, their ideas. As a painter and a connoisseur of 20th-century art himself, Neve is well prepared for such a journey. Few writers have conveyed a livelier mixture of motifs, emotions, subconscious forces, and contradictions, culminating in the creative act of painting.

Each of the thirteen chapters has a theme and explores its significance for one or more artists. For example, the issue of time is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burry, abstraction to Ben Nicholson, “the spirit in the mass” to David Bomberg. There are also chapters on artists’ ideas about specific types of landscape: Eric Ravilious and chalk landscapes, Joan Eardley and the sea, and Cedric Morris and the garden.

The Thames & Hudson publishing house was founded in 1949 by Walter and Eva Neurath. Their greatest passion and mission was to create a “museum without walls” and to make the world of art accessible to a broad audience, as well as to the research of leading scientists. To reflect international perspectives, the company's name combined the rivers flowing through London and New York, represented in its logo by two dolphins symbolizing friendship and intelligence, one facing east, the other west, suggesting a connection between the Old World and the New.

Today, still an independent, family-run publisher, Thames & Hudson is one of the world's leading publishers of illustrated books with over 2,000 titles in print. It publishes high-quality collectible books across all areas of visual creativity: fine arts, applied arts, decorative arts, performing arts, architecture, design, photography, fashion, film, and music, as well as archaeology, history, and popular culture. It is also expanding its list of children's books. Headquartered in London with a sister company in New York and branches in Melbourne, Singapore, and Hong Kong. In Paris, another subsidiary, Interart, distributes English-language books in France.

History of the Thames & Hudson brand

Walter Neurath was born in Vienna in 1903. In 1938, he left his hometown — where he ran an art gallery and published illustrated books — for London. Initially, he worked as a production director at Adprint, a company founded by Viennese émigré Wolfgang Foges. Neurath and Foges developed a pioneering concept of what is now called book packaging (or co-publishing), where book ideas are developed, commissioned, produced, and sold to publishers operating in different markets and languages, to create large editions and thus reduce unit production costs. Neurath’s concept was the first of many innovations introduced to the publishing world through Thames & Hudson.

Seeking to continue book packaging in the second edition and recognizing the need to amortize the high costs of producing illustrated books, Neurath founded his own publishing house, with offices in London and New York, in autumn 1949. Eva Neurath, who arrived in London from Berlin in 1939, was a co-founder.

Of the ten titles published on Thames & Hudson's first list in 1950, *English Cathedrals*, with photographs by Martin Hürlimann, was the first and achieved the greatest success. The strong conviction of {brand|company} from the very beginning regarding the longevity of books remained in print until 1971. In the first year of publication, Albert Einstein's *Out of My Later Years* also appeared, an early indicator of the program's scope. As the list gradually expanded—growing from ten titles in 1950 to 144 in 1955—the company moved its offices to High Holborn and in 1956 relocated to a Georgian townhouse at Bloomsbury Street 30, near Bedford Square, and then to the epicenter of book publishing in London. The manufacturing remained at this address, eventually expanding to five houses by 1999, when it returned to High Holborn.

In 1958, Thames & Hudson launched one of the most renowned series, *World of Art*, which became the foundation of a very diverse list. Characterized by pocket-sized editions and black spines, the series expanded in just seven years to include 49 titles. Nearly 60 years later, the series boasts over 300 titles, which, according to Christopher Frayling, are “stained with paint copies” in every art school across the country.

Other important series that added depth and prestige to the list include *Ancient People and Places*, edited by Glyn Daniel, who since the 1950s contributed to pioneering interest in archaeology, both in book form and on television. Over 34 titles have been published in this series over 34 years. The large-format *Great Civilizations* series, published in 1961, featured contributions from esteemed scholars such as Alan Bullock, Asa Briggs, Hugh Trevor-Roper, A. J. P. Taylor, and John Julius Norwich.
After building one of the most significant publishing houses in Europe in less than two decades, Walter Neurath died in 1967 at the age of 63. Sculptor Henry Moore wrote that “his death was a loss to our cultural life.” Sir Herbert Read noted that Neurath “more than anyone else was responsible for the revolution in art publishing” and was “one of those rare entrepreneurs who successfully combine business acumen with idealism.” Eva Neurath became chairwoman. Walter’s son, Thomas, who joined the company in 1961 along with his sister Constance, became managing director; Constance later served as artistic director for several decades. Both Thomas and Constance remain on the Thames & Hudson board, as do Thomas’s daughters, Johanna and Susanna.

From producing the first commercial edition of *The Book of Kells* to the triumphant publication of the six-volume *Vincent van Gogh - Letters*, from technical innovations like “French folds” to the controversial documentation of graffiti art in *Subway Art*, Thames & Hudson has always been at the forefront, both culturally and in production techniques.

The year 2016 marked an extraordinary new chapter for the company, announcing publishing partnerships with two of the world’s most important museums: the British Museum and the Victoria and Albert Museum.

The world of art and scholarship remains at the heart of Thames & Hudson’s publishing program, which stays true to its core principle: providing a “museum without walls.”
Today, Thames & Hudson is a recognizable international brand, a symbol of British publishing. Its catalog includes thousands of engaging titles, many of which are exclusive collector’s editions.

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