Book Bosch 5th Centenary Exhibition - Thames & Hudson

The museum houses the largest known collection of works by Jheronimus Bosch. Among its holdings are the triptychs The Adoration of the Magi and The Garden of Earthly Delights, as well as the original The Haywain, making it a “Bosch house” and an ideal institution to organize a major exhibition celebrating the artist’s 500th death anniversary. This magnificent book reproduces these masterpieces and other recently cleaned and restored paintings, revealing previously unknown aspects of Bosch’s art.

An outstanding team of Bosch scholars contributes to the creation of this volume. Pilar Silva Maroto’s essay presents an updated biography of Bosch and his family, along with all surviving documents from his life. It also locates the artist within the context of his hometown, ’s-Hertogenbosch, and offers an in-depth assessment of his status as a painter and draftsman. Eric De Bruyn considers Bosch’s sources in texts and images; Paul Vandenbroeck discusses his values and ideology; and Larry Silver explores sins and their punishment, a fundamental theme in the artist’s work. Finally, there is a “conversation” between Reindert Falkenburg and The Garden of Earthly Delights, as well as Fernando Checa’s reflection on Bosch’s reception at the Habsburg court in Flanders and Spain in the 16th century. Entries in the collection catalog of paintings belonging to the Prado collection discuss the results of recent technical studies conducted specifically for the exhibition, shedding new light on these works.

Thames & Hudson was founded in 1949 by Walter and Eva Neurath. Their greatest passion and mission was to create a “wallless museum” and make the world of art and leading scholarly research accessible to a broad audience. To reflect international perspectives, the company’s name combined the rivers flowing through London and New York, represented in its logo by two dolphins symbolizing friendship and intelligence, one facing east and the other west, suggesting a connection between the Old World and the New.

Today, still an independent family-owned publisher, Thames & Hudson is one of the world’s leading publishers of illustrated books, with over 2,000 titles in print. It publishes high-quality collectible books across all areas of visual creativity: arts (fine arts, applied arts, decorative arts, performing arts), architecture, design, photography, fashion, film, and music, as well as archaeology, history, and popular culture. The company is also expanding its list of children’s books. Headquartered in London, with a sister company in New York and branches in Melbourne, Singapore, and Hong Kong. In Paris, another subsidiary, Interart, distributes English-language books in France.

History of the Thames & Hudson brand

Walter Neurath was born in Vienna in 1903. In 1938, he left his hometown—where he ran an art gallery and published illustrated books—for London. Initially, he worked as a production director at Adprint, a brand founded by Viennese émigré Wolfgang Foges. Neurath and Foges developed an innovative concept of what is now called book packaging (or co-publishing), where ideas for books are developed, commissioned, produced, and sold to publishers operating in different markets and languages, to create large editions and reduce unit production costs. Neurath’s concept was the first of many innovations introduced to the publishing world through Thames & Hudson.

Seeking to continue the packaging of collectible books in a second edition and recognizing the need to amortize the high costs of producing illustrated books, Neurath established his own publishing house with offices in London and New York in the fall of 1949. Eva Neurath, who arrived in London from Berlin in 1939, was a co-founder.

Of the ten titles published on the first list by Thames & Hudson in 1950, *English Cathedrals*, with photographs by Martin Hürlimann, were the first and achieved the greatest success. A testament to the brand’s strong conviction from the very beginning regarding the longevity of books, it remained in print until 1971. In the first year of publication, Albert Einstein’s *Out of My Later Years* also appeared, an early indicator of the program’s breadth. As the list gradually expanded—growing from ten titles in 1950 to 144 in 1955—the company moved its offices to High Holborn and, in 1956, relocated to a Georgian townhouse at 30 Bloomsbury Street, near Bedford Square, becoming the epicenter of book publishing in London. The manufacturing remained at this address, eventually expanding to five houses by 1999, when it returned to High Holborn.

In 1958, Thames & Hudson launched one of its most renowned series, *World of Art*, which became the foundation of a highly diverse list. Characterized by pocket-sized editions with black spines, the series expanded in just seven years to include 49 titles. Nearly 60 years later, the series boasts over 300 titles, which, according to Christopher Frayling, are “stained with paint copies” in every art school across the country.

Other significant series that added depth and prestige to the list include *Ancient People and Places*, edited by Glyn Daniel, who contributed to pioneering interest in archaeology from the 1950s onwards, both in book form and on television. Over 34 titles have been published in this series over 34 years. The large-format *Great Civilizations* series, published in 1961, featured contributions from esteemed scholars such as Alan Bullock, Asa Briggs, Hugh Trevor-Roper, A. J. P. Taylor, and John Julius Norwich.
After establishing one of the most important publishing houses in Europe in less than two decades, Walter Neurath died in 1967 at the age of 63. Sculptor Henry Moore wrote that “his death was a loss to our cultural life.” Sir Herbert Read noted that Neurath “more than anyone else was responsible for the revolution in art publishing” and was “one of those rare entrepreneurs who successfully combine business acumen with idealism.” Eva Neurath became chairwoman. Walter’s son, Thomas, who joined the company in 1961 along with his sister Constance, became managing director; Constance later served as artistic director for several decades. Both Thomas and Constance remain on the Thames & Hudson board, as do Thomas’s daughters, Johanna and Susanna.
From producing the first commercial edition of *The Book of Kells* to the triumphant publication of the six-volume *Vincent van Gogh – Letters*, from technical innovations like “French folds” to the controversial documentation of graffiti art in *Subway Art*, Thames & Hudson has always been at the forefront, both culturally and in production techniques.

2016 marked the beginning of an extraordinary new chapter for the company, announcing publishing partnerships with two of the world’s most important museums: the British Museum and the Victoria and Albert Museum.

The world of art and scholarship remains at the heart of Thames & Hudson’s publishing program, which remains true to its core principle: providing a “museum without walls.”

Today, Thames & Hudson is a recognizable international brand, a symbol of British publishing. Its catalog includes thousands of incredible book titles, many of which are elite collectible editions.

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