Baroque dressing table

Exceptional design

combined with the highest quality materials and craftsmanship results in an image

of Florence Art manufactory.

Tradition

Among the streets of Florence, you can breathe art, from S. Croce to Ponte Vecchio, and then again among sculptures

and paintings and furnishings of the Medici villas, a unique city, a territory where artists and

craftsmen have found their life force for centuries. Florence Art was born in 1950

from this tradition, the manual skills of Tuscan artisans, love for art and beauty, and passion for

classics and what made this territory great. It was founded as a sculptural company and has always been a manufacturing brand that explores new products, designs them, creates samples, sculpting them

entirely by hand, pantographing them, and preparing them for decoration. All production is carried out entirely in

Florentine style; each element is designed by one of our designers, making it

unique.

Design

Florence Art, with its internal designers, sculptors, and carpenters, can execute any

type of work, even outside the Florentine style, as evidenced by some projects made for luxury hotels.

On every Florence Art item, modifications and adjustments can be made, as well as

work for modifications by carpenters entirely by hand. This way, the brand can furnish a bedroom, living room, bathroom, boudoir, according to your design.

Style

The Florentine style is characterized by the way carving, finishing, and designing

items are executed, and these features are unique to a very small area, such as Florence. Every item

made in the Florentine style has carved parts, but with a current, fresh, elegant taste; each

part is well “notched,” meaning well-defined, harmonizing with a classic yet very youthful style. The lines of the items are simultaneously elegant and romantic. Silver,

colored, and gold finishes make each line even more elegant and youthful.

Pattern and sculpture

Sculpture results from the increasingly challenging heritage of Florentine traditions, distinguished by

grace, harmony, and serving as a highlight and identifier of the entire production line, and as is the case

in Florence, it cannot be confused with other geographical areas. Professional figures with high skills and

stylistic knowledge are required, such as a “sculptor,” who must create “models” of each item, then sculpt them.

A model is the part used to reproduce the sculpture with a pantograph, and to create it first, an

artwork drawing at scale is needed, then it is entirely hand-sculpted in wood. It is cut into pieces,

because the pantograph works on pieces no wider than about 20 cm and about 190 cm long. For pantograph work, a “Pantograph” is needed to replicate the model in 16 or 24 pieces, then “carpenters,”

highly specialized, because they must know how to assemble the carved elements. Only these three professionals

make the production more skilled and valuable.

Decoration

Decoration, always entirely handmade, becomes an even more skilled element in various

finishes; those made in Florence are incomparable with those from any other geographical area:

“Gouache” decoration used throughout art history, from the Renaissance, which originated in Florence, and in

all other stylistic periods, applies to both gold leaf (e.g., Zecchino and Antique Patina),

and real silver leaf finishes (Ghiaccio, Bianco, Consumato, Strappato), which could then be

Mecca (covered with a special, ancient color, still used, Mekka, in

finishes, Mekka and MeccaAntica), to look like gold, when in the past they lacked the funds for

purchasing real gold.