Antique print of the Pyramid of Gaius Cestius from the 18th century

Giovan Battista Piranesi Pyramid of Gaius Cestius, circa 1756. A large-format copperplate engraving depicting the pyramid built between 18–12 BC as the tomb of Gaius Cestius Epulone. This neoclassical print, in good condition, with reduced margins, was printed on a sheet of handmade paper, with the engraved part measuring 1.1 mm. Image size: 385 x 535 mm, printed on cardboard and framed in a modern frame. In the lower right corner, there is a legend with descriptions: 1) The area around the Pyramid cleared during the pontificate of Alexander VII; 2) Open doors from that period in the Pyramid; Columns found on the meadow and set in their original position; 4) The walls of Rome; 5) Towers of Saint Paul’s Gate. Below the legend, we find Presso l’autore and Piranesi F. Descriptions of various elements present in the engraving, such as the land around the pyramid, recovered columns, and open doors, enrich the understanding of the scene depicted and allow us to appreciate Piranesi’s work as an important documentary source.

Giovanni Battista Piranesi was one of the most important engravers and architects of the 18th century, known for works depicting Roman ruins and ancient architecture. His engraving of the Gaius Cestius Pyramid, made around 1756, is an extraordinary example of his style and attention to detail; Piranesi was born on October 4, 1720, in Morano di Mestre, and died on November 9, 1778, in Rome. Some call him the Rembrandt of architecture.

This artist not only recreated the ancient traces of Rome’s power but was also one of the most renowned archaeologists of his time. He was a student of Scalfarotto, the Valeriani brothers Giuseppe and Domenico, as well as a pupil of Bibiena. He worked with and had a very conflicted relationship with Giuseppe Vasi, his teacher. It seems he wanted to kill him out of jealousy, as Vasi felt towards him. For example, he did not teach him enough about the intricacies of engraving. It is also believed that he collaborated with Tiepolo on painting works. His first work was “Ancient Rome,” followed by many others. He carved about 2000 branches, most of which were large. Despite his excellent reputation and great fame, he never became wealthy due to the very low prices of his works. He was a member of the Order of Christ and the Society of Antiquarians in London.

Beautiful antique furniture and accessories can be an excellent idea for decorating our interiors. Today, there is an increasing number of enthusiasts for high-quality vintage products that have a specific character and soul. It’s a nod to history, craftsmanship, and the design of {traditional|classic} and timeless furniture. There are many different styles in antique furniture, each with its distinctive features.

Many styles characterize antique furniture, but a few are particularly prominent. Eclectic furniture belongs to the 19th century, during which the Biedermeier style was dominant. Its early variations include neo-Gothic, Gothic, Rococo, Louis-Philippe style, and finally the Victorian style. Toward the end of the century, these styles transition into pseudo styles of classicism, Renaissance, and Baroque.

Original Empire-style furniture dates from the late 18th to early 19th century. It originated during Napoleon’s reign, which imposed a significant resemblance and references to Roman and Greek ornamentation.

Neoclassical furniture is associated with the Louis XVI style, which also strongly references ancient architecture. Interesting and noteworthy are antique products in Rococo and Louis XV styles. Next is Baroque, a term derived from the Portuguese “barocco,” meaning an irregularly developed pearl. These were highly representative pieces of furniture, designed to literally shine with splendor and play a significant role in luxury. Selectively used materials were employed to further emphasize the grandeur of these items.

Today, we can observe how much the Baroque style has influenced today's classic furniture, which is designed with a strong resemblance to the former era. An equally significant style is Renaissance. Which flourished in the 15th and 16th centuries and also left a substantial mark on the art of furniture making. The Renaissance style was quite heavy and bulky. Brown stains were used, as well as cornices, sturdy plinths, and bas-reliefs. It can certainly be said that these were quite specific products, but they offered many new possibilities, such as the construction of buffets or broadly speaking, chest furniture. Here, too, there was an interest in mythology and ancient times, so supports or legs took on animal forms.

Lion paws, eagle heads – these are common features in Renaissance style furniture. Currently, many global brands reproduce furniture made in this style, taking inspiration from Italian or French creators. This is a sign of admiration and respect for the history of the most beautiful Renaissance antiques. It is important to remember that in each country, the production of furniture was perceived differently, so each style had its own distinct character. This is very important, especially when searching for a luxurious antique that suits your interior.

The most important aspect of vintage antique furniture is originality. And this is ultimately crucial from the customer's perspective because many counterfeits circulate on the market. Luxury Products provides a certificate confirming that the product complies with the actual description and photo. We have art appraisers, historians, and experts from around the world at your disposal.