A refined English George IV sugar bowl with a rounded body, 19th century

Antique Golden Silver Sugar Bowl London 1836 equipped with 6 teaspoons and tongs for lumps, placed in an octagonal mahogany box with a lid, complete with a working lock and a brass handle inscribed with Tho.s Allen Poynder No. 6 in italics.

Thomas Henry Allen Poynder, owner of the famous Hartham Park estate, a Georgian residence in Wiltshire, England, near Corsham, from which the artifact probably originates. 

This refined English George IV sugar bowl with a rounded body, shaped like a vase with a rounded, lockable lid, is made of thick silver plate 925 sterling silver, richly embossed with motifs inspired by naturalists. Flowers and leaves are expressed around four shells in scrolls, motifs that follow each other up to the knob, with a flower combined on top of the lid. 

The exquisite craftsmanship is enhanced by engraved and carved ornaments, creating a continuous play of shadows and light through alternating smooth, shiny surfaces and opaque areas marked by countless traces of iron chiseling. The artifact is also internally gilded. 

On the body of the vase and on the edge of the lid, there are London silversmith marks RAWS 1836/37 referring to Richard William Atkins and William Nathaniel Somersell, active in the city between 1827-1836 (registered in March 1825), on a rectangular field with rounded corners. It weighs 556 grams, stands 16.5 cm high, and has a diameter of 12.5 cm. 

Six teaspoons and tongs for lumps are cast and finely carved; they weigh 288 grams and were produced in London in 1820/21, bearing marks on the bottom of the handle and on the inside of the tongs, by silversmith Edward Farrell (1779-1850), known for exquisite and elaborate Renaissance-style designs and for being a silversmith to the Prince of York. 

A single teaspoon was probably always modified in London in 1827/28. 

Inside the lid, there is a Catchpole & Williams Silversmiths and Jewelers label No. 120, Regent Street. 

The set comes from a private collection in Milan and is in good condition; we limited ourselves to repairing the mahogany lock, making a key, gluing the smallest chip on a plate, and polishing the box with wax. 

The numbering engraved on the case leads us to believe that it was matched with teapots, coffee pots, or tea caddies, with which these refined accessories were usually created together.

Exquisite antique furniture and accessories can be an excellent idea for decorating our interiors. Currently, there is a growing number of enthusiasts for high-quality vintage items that have a distinct character and soul. It’s a nod to history, craftsmanship, and the design of classic and timeless furniture. There are many different styles in antique furniture, each with its own distinctive features.  

There are many styles characterizing antique furniture, but a few key ones stand out. Eclectic furniture refers to the 19th century, dominated by the Biedermeier style. Its early variations include neo-Gothic, Gothic, Rococo, Louis Philippe style, and finally the English Victorian style. Toward the end of the century, these styles transition into pseudo-classicism, Renaissance, and Baroque styles.

Empire style furniture and accessories date from the late 18th to early 19th century. Everything stems from the reign of Napoleon, which imposed a significant resemblance and references to Roman and Greek ornamentation.

Neoclassical furniture is associated with Louis XVI style, which also strongly references ancient architecture. Interesting and noteworthy are antique products in Rococo style and Louis XV. Next is Baroque, whose name derives from the Portuguese 'barocco'—meaning irregularly developed pearl. These were highly representative pieces designed to radiate splendor and play a significant role in luxury. Unique, selectively used materials were employed to further emphasize the grandeur of these items.

Lion paws, eagle heads – these are common features in Renaissance style furniture. Currently, many global brands reproduce such furniture, drawing inspiration from Italian or French creators. This is a sign of admiration and respect for the history of the most beautiful Renaissance antiques. It is important to remember that furniture production was perceived differently in each country, so each style had its own distinct character. This is very important, especially when searching for a luxurious antique that suits your interior.

The most important aspect of elite antique furniture is originality. And this is ultimately crucial from the buyer's perspective, as many counterfeits circulate on the market. Luxury Products provides a certificate confirming the product's compliance with the actual description and photos. We have appraisers, art experts, historians, and specialists from around the world at your disposal.