The book Unfinished Palazzo Life, love and art in Venice - Thames & Hudson

Put into use in 1750, Palazzo Venier was designed as a testament to the power and wealth of a great Venetian family, but the project was abandoned with only one floor completed. The empty and decaying “il palazzo non finito” had been a source of pain for over a century, until it was finally inhabited by very different women whose stories are told in this captivating book.

Meanwhile, Luisa Casati, Doris Castlerosse, and Peggy Guggenheim used the Unfinished Palazzo as a stage to reshape their lives, making the building famous or notorious. Their worlds of art and imagination boasted an incredible cast of supporting characters, from D'Annunzio and Nijinsky, to Noël Coward, Winston Churchill, and Cecil Beaton, up to Yoko Ono.

The surprisingly wealthy Marchesa Luisa Casati transformed her home into an aesthetic fantasy and a place for parties as decadent as Renaissance court operas — investing small fortunes in her costumes in her pursuit of becoming a “living work of art” and music for late Belle Époque and early modernist artists. British socialite Doris Castlerosse (née Delevingne) left her mark during the hedonistic interwar years, hosting film stars and members of the royal family at glamorous parties. Jewish-American heiress Peggy Guggenheim turned the Palazzo into a model of modernist simplicity to house her exceptional collection of modern and surrealist art, which now attracts tourists and art lovers from around the world.

Thames & Hudson was founded in 1949 by Walter and Eva Neurath. Their greatest passion and mission was to create a “wall-less museum” and to make the world of art accessible to the general public, as well as to leading scholars. To reflect international perspectives, the company’s name combined the rivers flowing through London and New York, represented in their logo by two dolphins symbolizing friendship and intelligence, one facing east, the other west, suggesting a connection between the Old World and the New.

Today, still an independent family-owned company, Thames & Hudson is one of the world’s leading publishers of illustrated books, with over 2,000 titles in print. They publish high-quality books across all areas of visual creativity: fine arts, applied arts, decorative arts, performing arts, architecture, design, photography, fashion, film, and music, as well as archaeology, history, and popular culture. They are also expanding their list of children’s books. Headquartered in London with a sister company in New York and branches in Melbourne, Singapore, and Hong Kong. In Paris, another subsidiary, Interart, distributes English-language books in France.

History of Thames & Hudson

Walter Neurath was born in Vienna in 1903. In 1938, he left his hometown — where he ran an art gallery and published illustrated books — for London. Initially, he worked as a production director at Adprint, a company founded by Viennese émigré Wolfgang Foges. Neurath and Foges developed a pioneering concept of what is now called book packaging (or co-publishing), where book ideas are developed, commissioned, produced, and sold to publishers operating in different markets and languages, to create large editions and thus reduce unit production costs. Neurath’s concept was the first of many innovations that Thames & Hudson introduced to the publishing world.

Seeking to continue book packaging in a second edition and recognizing the need to amortize the high costs of producing illustrated books, Neurath founded his own publishing house, with offices in London and New York, in the fall of 1949. Eva Neurath, who arrived in London from Berlin in 1939, was a co-founder.

Of the ten titles published on the first list by Thames & Hudson in 1950, *English Cathedrals*, with photographs by Martin Hürlimann, were the first and achieved the greatest success. The company's strong conviction from the very beginning regarding the longevity of books remained in print until 1971. In the first year of publication, Albert Einstein's *Out of My Later Years* also appeared, an early indicator of the program's breadth. As the list gradually expanded—growing from ten titles in 1950 to 144 in 1955—the company moved its offices to High Holborn and in 1956 relocated to a Georgian townhouse at 30 Bloomsbury Street, near Bedford Square, becoming the epicenter of book publishing in London. The manufacturing remained at this address, eventually expanding to five houses by 1999, when it returned to High Holborn.

In 1958, Thames & Hudson launched one of its most renowned series, *World of Art*, which became the foundation of a highly diverse list. Characterized by pocket-sized editions and black spines, the series expanded in just seven years to include 49 titles. Nearly 60 years later, the series boasts over 300 titles, which, according to Christopher Frayling, are “splattered with paint copies” in every art school across the country.

Other important series that added depth and prestige to the list include *Ancient People and Places*, edited by Glyn Daniel, who since the 1950s contributed to pioneering interest in archaeology, both in book form and television. Over 34 titles have been published in this series over 34 years. The large-format series *Great Civilizations*, published in 1961, featured contributions from esteemed scholars such as Alan Bullock, Asa Briggs, Hugh Trevor-Roper, A. J. P. Taylor, and John Julius Norwich.
After establishing one of the most important publishing houses in Europe in less than two decades, Walter Neurath died in 1967 at the age of 63. Sculptor Henry Moore wrote that “his death was a loss to our cultural life.” Sir Herbert Read noted that Neurath “more than anyone else was responsible for the revolution in art publishing” and was “one of those rare entrepreneurs who successfully combine business acumen with idealism.” Eva Neurath became chairwoman. Walter’s son, Thomas, who joined the company in 1961 along with his sister Constance, became managing director; Constance later served as artistic director for several decades. Both Thomas and Constance remain on the Thames & Hudson board, as do Thomas’s daughters, Johanna and Susanna.
From producing the first commercial edition of *The Book of Kells* to the triumphant publication of the six-volume *Vincent van Gogh - Letters*, from technical innovations like “French folds” to the controversial documentation of graffiti art in *Subway Art*, Thames & Hudson has always been at the forefront, both culturally and in production techniques.

2016 marked the beginning of an extraordinary new chapter for the company, announcing publishing partnerships with two of the world’s most important museums: the British Museum and the Victoria and Albert Museum.

The world of art and scholarship remains at the heart of Thames & Hudson’s publishing program, which remains true to its core principle: providing a “museum without walls.”
Today, Thames & Hudson is a recognizable international brand, a symbol of British publishing. Its extensive catalog includes thousands of incredible titles. Many of these are prestigious collectible books.

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