Book by Józef Czapski - Thames & Hudson

This stunning monograph, a long-overdue critical assessment of the Polish artist Józef Czapski (1896–1993), appears at a time when the artist’s legacy is gaining new recognition. On these pages, author Eric Karpeles discusses how creating art was so intertwined with Czapski’s way of seeing and being in the world that it became a second nature. Considering he lived to be 97, it is no surprise that the artist has works from every decade of the 20th century, but from the first. As a witness to the tumultuous events of this century, he found in painting “refuge and salvation.”

As an outstanding painter, he was equally disciplined in recording life’s events with pencil, ink, and watercolor in his diaries. In times when abstract art dominated aesthetic discourse, he preferred to observe the world around him, depicting people engaged in their daily routines. Some of his most fascinating works portray theater audiences and art lovers doing what they do best.

The Thames & Hudson manufactory was founded in 1949 by Walter and Eva Neurath. Their greatest passion and mission was to create a “wallless museum” and make the world of art, as well as the research of leading scientists, accessible to a broad audience. To reflect international perspectives, the company’s name combined the rivers flowing through London and New York, represented in its logo by two dolphins symbolizing friendship and intelligence, one facing east, the other west, suggesting a connection between the Old World and the New.

Today, still independent and family-owned, Thames & Hudson is one of the world’s leading publishers of illustrated books, with over 2,000 titles printed. It publishes high-quality collectible books across all areas of visual creativity: arts (fine, applied, decorative, performing), architecture, design, photography, fashion, film, and music, as well as archaeology, history, and popular culture. The list of children’s books is also expanding. Headquartered in London with a sister company in New York and branches in Melbourne, Singapore, and Hong Kong. In Paris, another subsidiary, Interart, distributes English-language books in France.

History of Thames & Hudson

Walter Neurath was born in Vienna in 1903. In 1938, he left his hometown—where he ran an art gallery and published illustrated books—for London. Initially, he worked as production director at Adprint, a brand founded by Viennese émigré Wolfgang Foges. Neurath and Foges developed a pioneering concept of what is now called book packaging (or co-publishing), in which book ideas are developed, ordered, produced, and sold to publishers operating across different markets and languages, to create large editions and thus reduce unit production costs. Neurath’s concept was the first of many innovations introduced to the publishing world through Thames & Hudson.

Seeking to continue the packaging of collectible books in a second edition and recognizing the need to amortize the high costs of producing illustrated books, Neurath founded his own publishing house, with offices in London and New York, in autumn 1949. Eva Neurath, who arrived in London from Berlin in 1939, was a co-founder.

Of the ten titles published on Thames & Hudson’s first list in 1950, *English Cathedrals*, with photographs by Martin Hürlimann, was the first and most successful. Evidence of the company’s strong belief from the very beginning in the longevity of books, it remained in print until 1971. Also in the first year, Albert Einstein’s *Out of My Later Years* was published, an early indicator of the program’s breadth. As the list gradually expanded—from ten titles in 1950 to 144 in 1955—the company moved its offices to High Holborn and in 1956 relocated to a Georgian townhouse at 30 Bloomsbury Street, near Bedford Square, becoming the epicenter of book publishing in London. The manufactory remained at this address, eventually expanding to five buildings, until 1999, when it returned to High Holborn.

In 1958, Thames and Hudson launched one of the most well-known series, *World of Art*, which became the foundation of a highly diverse list. Characterized by pocket-sized format and black spines, the series expanded in just seven years to include 49 titles. Almost 60 years later, the series featured over 300 titles, which, according to Christopher Frayling, are “stained with paint copies” in every art school across the country.

Other important series that added depth and prestige to the list include *Ancient People and Places*, edited by Glyn Daniel, who since the 1950s contributed to pioneering interest in archaeology, both in book form and television. Over 34 titles were published in the series over 34 years. The large-format *Great Civilizations* series, published in 1961, included contributions from esteemed scholars such as Alan Bullock, Asa Briggs, Hugh Trevor-Roper, A. J. P. Taylor, and John Julius Norwich.

After building one of the most important publishing houses in Europe in less than two decades, Walter Neurath died in 1967 at the age of 63. Sculptor Henry Moore wrote that “his death was a loss to our cultural life.” Sir Herbert Read noted that Neurath “more than anyone else was responsible for the revolution in art publishing” and was “one of those rare entrepreneurs who successfully combine business acumen with idealism.” Eva Neurath became chairwoman. Walter’s son, Thomas, who joined the company in 1961 along with his sister Constance, became managing director; Constance later served as artistic director for several decades. Both Thomas and Constance remain on the Thames & Hudson board, as do Thomas’s daughters, Johanna and Susanna.

From producing the first commercial edition of *The Book of Kells* to the triumphant publication of the six-volume *Vincent van Gogh - Letters*, from technical innovations like “French folds” to the controversial documentation of graffiti art in *Subway Art*, Thames and Hudson has always been at the forefront, both culturally and in production techniques.

The year 2016 marked an extraordinary new chapter for the company, announcing publishing partnerships with two of the world’s most important museums: the British Museum and the Victoria and Albert Museum.

The world of art and scholarship remains at the heart of Thames & Hudson’s publishing program, which stays true to its core principle: providing a “museum without walls.” Today, Thames & Hudson is a recognizable international brand, a symbol of British publishing. Its catalog includes thousands of interesting titles, many of which are prestigious collector’s editions.

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